Included in his many magazine articles, is the October-November 1999 issue of Country Music Magazine: He is listed among the top 10 Greatest Voices in Country Music History!

Frizzell was not only original in his vocal sound - he was the first country singer to wear rhinestones  on stage. Although Frizzell liked sharp clothes, it took some convincing by a Los Angeles tailor, Nudie Cohen that women loved men that looked “flashy”, and that rhinestones would work!

Some say that Elvis must have seen Lefty at point, because what Elvis was doing in ’55 and ’56 is what Lefty was doing in ’50 and ’51! Right before Lefty died, Elvis called him and ask him to send him some songs so he could do them on an album tribute of his singing heroes. Unfortunately, that album never materialized.

He was born William Orville Frizzell on March 31, 1928 in Corsicana, TX. His father was an oil driller who moved the family from Texas to El Dorado, Ark., shortly after his birth. Lefty’s Uncle Lawrence bought him his first guitar from an old black farmer for $2.00. With that guitar and an old Victrola, he learned every song of his hero and greatest influence, Jimmie Rogers. During this time, Frizzell developed the style of singing that would revolutionize how country songs would be sung. By age 12, Frizzell, who was called Sonny by his family and close friends, had his own spot on a Children’s show at an El Dorado radio station. Moving back to Texas in the early 1940’s, he wins a talent contest on “Wayne Babb’s Stage Show” in Dallas, works in Arkansas string band headed by Rex “Jelly” Elliot; and buys his first fancy cowboy suit for $100.00. Frizzell earned his nickname Lefty, following a schoolyard fight. He never fought in the Golden Gloves.

By his early twenty’s, Frizzell was a regular at the Ace of Clubs in Big Springs, Texas and after spending years singing in other various honky tonks, barn dances and parties, Lefty got the attention of Columbia Records in 1950. Don Law, the record executive who signed him to Columbia, heard that sound no one including himself had ever heard before. Frizzell signed with Columbia at the age of 22, releasing “If You’ve Got The Money Honey, I’ve Got The Time” and “I Love You A Thousand Ways” in July that year. In 1951, Lefty owned the charts with the release of “I Want To Be With You Always” (#7), “Always Late (With Your Kisses)” (#1), “Mom And Dad’s Waltz” (#2), and “Tavelin’ Blues”(#8). Frizzell held the number one spot for 26 weeks. Having 4 songs in the top 10 at the same time, is a feat that HAS NEVER BEEN DUPLICATED TO THIS DAY! Don Law hinted about some issues with Lefty in his affectionate liner notes on an album that was released shortly after Frizzell’s death, “In his early years, when I knew him best, he was happy-go-lucky and irresponsible,” Law wrote. “His motto could have well been the title of his hit “Always Late”-he was never on time for a session and sometimes didn’t show at all.”

Lefty Frizzell was a premiere songwriter and song interpreter.

“I’m not really a lazy guy but I get tired of holding notes for a long time. Instead of straining, I just let it roll out and it feels good to me.” Lefty said of his vocal style. The deep and emotional sound that gets a person’s heart and that wonderful quaver he inserted into his vocals has gone on to influence singers from the legendary Merle Haggard to today’s Daryl Singletary.

1951 and 1952 saw Frizzell touring with Hank Williams. It has been said that the towns that they played have never been the same! Lefty said, “Hank and I did shows together. We’d flip a coin to see who would go first…I forget where we were at the time, but one day Hank said, ‘You need to join the Opry’.” At the age of 23, on July 21, 1951, Lefty sang “I Love You A Thousand Ways” and “I Want To Be With You Always” on the stage of the Grand Ole Opry. He and Hank Williams shared a dressing room.

 Things began to go sour by February 1952: Frizzell and his manager, Jack Starnes, decided to leave the Opry on the theory that they could get more money and have their independence by leaving the Opry. By that fall, Lefty and Starnes had a major falling our, ended up in court, and Lefty lost most of his recording royalties and came away with a lasting distrust of managers and promoters. Lefty moved his family to California. Stardom continued through the 50’s in California, where he toured constantly, headlining the Hollywood Bowl in 1955 and appearing regularly on the TV show “Town Hall Party”, the Compton-based country show that was a mini-version of the Opry and “Country America.” Charting 15 top tens between 1950 and 1954, before Rock ‘n Roll began to get the audience’s attention somewhat away from country music. However, when he recorded “Long Black Veil” in 1959, he again took a spot in the top 10. Frizzell recorded “Saginaw Michigan” in 1964, his last #1 hit and a song so strong, nothing could hold it back. It was nominated for a Grammy, and crossed over to the pop chart, a rarity for country songs in that era.

Nashville songwriter Harlan Howard remembers Frizzell from the “Town Hall Party” days. “He was a wonderful guy, someone who was just about as loose and free as any rock star you ever saw-on and off stage. He was really flamboyant, a good-looking guy with curly hair.” In listening to Lefty, you feel the conflict between the lure of good times and the melancholy ones.

Lefty, no longer with Columbia Records, signed with ABC Records in 1972. He recorded two albums that some regard as his masterpieces. “That’s The Way Love Goes”, “I Can’t Get Over You To Save My Life” and “I Never Go Around Mirrors” along with so many of Frizzell’s previous hits continue to stand the test of time.Co-written with Whitey Shaffer, “I Never Go Around Mirrors” had that disillusioned tone that could be seen in part as a reflection on Lefty’s own troubled life. Don Gant, who produced the album, reported that the singer was so moved when he listened to the finished album he broke down and cried. “He was just overcome that it could be that good,” Gant said. The 1960’s and early 70’s saw country music going through a change. Nashville was caught up in the pursuit for pop hits, therefore “I Never Go Around Mirrors” only made it to #25 on the charts, can you imagine?

Lefty was inducted into the Nashville Songwriter’s Hall of Fame in 1972 and the

Country Music Hall of Fame in 1982.

Lefty sung the new “honky tonk” style that developed with the microphones and sound systems that came along, systems that allowed the singer to get away from the old mountain “shouting” style of Roy Acuff or Bill Monroe.

Lefty began to exploit his wonderful sense of phrasing, breaking a simple syllable into a full line! He attributed this break in his voice to his “mixed-up” Arkansas-Texas-Louisiana accent and added slurs and curves to his singing; it was all quiet sincere, intimate and haunting.

Merle Haggard tells the world how he loves Lefty, who was the first person to put him on the stage as a teenager. How nervous Merle was to open for his hero, Lefty Frizzell! Merle says, “When I was 15 years old, I thought Lefty hung the moon. You know…I’m not sure he didn’t.”

The Hag recorded his own tribute single, “That’s The Way It Was In ‘51”.

Willie Nelson cut a tribute album entitled, “To Lefty, From Willie” in honor of his friend.

 “Hank And Lefty Raised My County Soul” was another great song written by Dallas Frazier and Doodle Owens, and recorded by Stoney Edwards. There are other songs, such as “They Left Their Memory In Good Hands” written by John Riggs and recorded by Rusty Adams, Lefty’s friend and unofficial road manager at the time of his death. “There will never be another great singer to come along and influence the music world like my friend, Lefty Frizzell.” States Abe Mulkey, Lefty’s background vocalist for the last 15 years of his life, co-writer of many songs including “It Meant Goodbye To Me” and Lefty’s best friend.

Abe wrote a song entitled, “My Friend, Lefty Frizzell”.

Yet another Lefty follower, Daryl Singletary, who also co-wrote along with John Hobbs and Doug Johnson, recorded a recent tune called “Ain’t It The Truth”.

Rockers including Bob Dylan, The Band and The Burrito Brothers have been influenced by this county star that had all the looks, the moves and the talent that makes a complete package as an artist.

  Singers as different as Freddie Hart, Ray Charles and Ronnie Milsap have cited Lefty as an influence.

Insists Hank Williams, Jr. “There’s no way in the world that Lefty Frizzell’s being recognized as much as he should.”

 Lefty had a heart slightly bigger than Oklahoma, but some say his personal life was confused much of the time and his own opinion of his talent was not so big. “When I sing, to me every word has a feeling about it,” Lefty said in an interview right before his untimely death. “I had to linger, had to hold it, I didn’t want to let go of it. I want to hold one word through a whole line of melody.”

 On July 19, 1975, country music lost a part of it’s very soul. Lefty, often battling depression, chose alcohol over taking medication needed for high blood pressure, had a stroke that took his life. He was 47. He died in Nashville. He is buried on Music Row at Forest Lawn Cemetery in Goodlettsville, just north of Nashville. 

As long as these mentioned artists along with others like Randy Travis, Dwight Yoakam, and Lefty’s son, Crockett Frizzell are around, the traditional sound of Lefty.